Despite our best attempt to harbor a deep-seated
loathing when it comes to the hoards of under-thought and over-raked custom
motorcycles, and by default one-off bikes as a whole, rare occasions arise when
we feel obligated to stop and take note of something beyond the wave of metallic
peanut tanks. Such an occasion arose with the release of the Kestrel, a
sophomore effort from the L.A.-based studio of Falcon Motorcycles.
Yeah, we know it's a shop, not a studio where one builds motorcycles, right? In
the case of Falcon, the line between motorcycle and art form seems to be
blurred. Founders Ian Barry and Amaryllis Knight like to think of their
creations as "art that can be pulled off the wall, and ridden into town." After
a childhood run-in with a pack of bikers mounted on British iron, Barry
developed a preference for not only the style of the two wheelers, but also the
historical importance of bikes built across the pond.
Now all grown up, Knight's obsession has sent Falcon on a quest to reproduce 10
motorcycles, which despite being completely custom will share a a few
commonalities: all British and all of particular historical significance – that
is, in the Knight's opinion. The Kestrel, which is based on a 1970 Triumph
Bonneville, is the second in that line of creations. It will make it's debut two
years after Falcon's firstborn Bullet, which was commissioned by actor Jason
Lee.
Take two years and 2,000 man hours, a basket-case Bonnie, sprinkle in the right
amount of panache and viola, the Kestrel is born.
NOTE: Some of the photos on
Motorcycle Specs are owned by somebody. If you see any of your
photos, you can let me know so that I can acknowledge it, or if
you object to it, I can remove it altogether. If any copyright
holder objects to their articles being placed on Motorcycle
Specs, it will be removed upon request. Any correction or more
info on these bikes will kindly beappreciated
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